Backing Track Assistant For Live Performers
Music is an abstract type of thing; as it is something that we hear instead of see it is often quite difficult to visualise a piece of music. Continue reading “Visualisation Of Music: From Paper to Digital”
Mobility, mobility, mobility!
“If you can’t move your gear from your studio to stage, you might as well not have them!” . The sounds and synths you create, at home or in studio are often a vital part to a musicians unique sound. If you can’t transport them to the stage however, what’s the point of having them at all? Only for online store/sharing ? Continue reading “If You Can’t Move Your Gear From Your Studio To Stage, You Might As Well Not Have Them!”
Like many Musicians I do my music production on DAW (Digital Audio Workstation), as the possibilities are infinite! I create my music with my guitar and arrange on a DAW (Mainly I use Propeller’s Reason). Once I have added the drum and bass, I can jam for hours with my guitar.
But this doesn’t mean I haven’t had problems with DAW’s. My main issue is that they are not made for live gig jamming. This has been an issue for me, like many musicians, I like to improvise on stage during a live performance. Often with a DAW you have to give this up, which makes me ask the question, “to DAW or Not to DAW”?
Continue reading “Guest Blog: 101SONIC: “to DAW or Not to DAW””
We first see samplers used in live performance as a secret piece of gear; like the (E-mu Emulator ) at Depeche Mode’s Gigs in the 80’s. Some mistakingly say Depeche Mode was using a Synth on stage. Well Yes, but the E-mu was also a sampler, a sampler of synth! Reproducing all songs Live on stage while performing, it’s difficult! If we have a short look into sampling history we can see why; Continue reading “History Of Using Sampler / Loopers On The Stage: From the 80’s to 2017”
Ok, but how can we play this live?!
Imagine; Everything is going perfect in the studio; creativity flowing, you’ve finally struck that ‘punch’ sound (what we might call a ‘secondary add’ to the music ) that changes a whole song’s character into something fantastic.
But then the realisation dawns, the music in the studio sounds great, “Ok, but how can we play this live?!” …